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Hoi Nghi Dien Hong

Friday, 28 June 2019

CA TRÙ

  1. Ca trù (Vietnamese: [kaː ʈû], 歌籌, "tally card songs") also known as hát ả đào or hát nói, is an ancient genre of chamber music featuring female vocalists, with origins in northern Vietnam.[1] For much of its history, it was associated with a geisha-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court.[2][3]
    Ca trù is inscribed on the list of Intangible Cultural Heritage in need of Urgent Safeguarding in 2009.[2]

    History

    There are different myths and theories related to ca trù's conception. One story states that a woman named Ả Đào created the genre, having charmed the enemy with her voice (thus explaining one of the genre's alternate names: Hát ả Đào). Another theory points to a woman named Đào Thị, a talented musician who was beloved by the Lý Dynasty imperial court. This theory also claims that ever since the time of Đào Thị, in admiration of her, women who held a profession as singers (such as ca trù singers) were referred to as Đào nương ("nương" here refers roughly to "maiden" or "lady"). The latter is true although this term is no longer widely used in modern Vietnam.[4]
    What is known for sure is that ca trù started off like many of Vietnam's arts as being a form of entertainment for the royal court. Officially ca tru count the age of their profession since The Later Le dynasty (Vietnamese: Nhà Hậu Lê, 1010—1225), at that time musicians called Vietnamese: hát khuôn performed only on religious court ceremonies.[5] It was only later on that it branched out into being performed at small inns. Indeed, it was mainly scholars and other members of the elite who enjoyed the genre, which was somewhat inaccessible to the masses (who enjoyed the Hát chèo opera genre much more).
    In the 15th century ca tru spread through Northern Vietnam. The artists might be called to celebrate a son's birth, or to celebrate the signing of a contract. Ca tru were outside of the caste system, so they could entertain the most noble clients.[6]
    Three drawings of Cô đầu performing ca trù in the early 20th century.
    In the 20th century, ca trù nearly died out. When the Communists came to power after the 1945 August Revolution, Ca Trù was systematically suppressed, becoming associated with prostitution and the degradation of women.[7] Consequently, before 1976 there existed only two ca tru: Vietnamese: Nguyễn Xuân Khoát[5] and Vietnamese: Quách Thị Hồ.[8] Later they both started to revive the tradition of ca tru. In actuality, men were allowed many wives in the past and having extramarital affairs was nothing shocking. Thus, it was commonly known that many famous ca trù singers did indeed have affairs with important men, but it was just something to be accepted as a part of society back then, and not a part of the profession itself.
    As of 2009, extensive efforts are being made to invigorate the genre, including many festivals and events where several types of ca trù (among other related arts) are performed. Vietnam has also completed documents to have ca trù recognized by UNESCO as an Intangible Cultural Heritage.
    By 2011 there were 140 ca tru from 23 clubs.[9]

    Instruments

    Ca trù, like many ancient and highly developed arts, has many forms. However, the most widely known and widely performed type of ca trù involves only three performers: the female vocalist, lute player and a spectator (who also takes part in the performance). Sometimes dance is also performed at the same time.[10]
    The female singer provides the vocals whilst playing her phách (small wooden sticks beaten on a small bamboo bar to serve as percussion).
    She is accompanied by a man who plays the đàn đáy, a long-necked, 3-string lute used almost exclusively for the ca trù genre.[11]
    Last is the spectator (often a scholar or connoisseur of the art) who strikes a trống chầu (praise drum) in praise (or disapproval) of the singer's performance, usually with every passage of the song. The way in which he strikes the drum shows whether he likes or dislikes the performance,[2] but he always does it according to the beat provided by the vocalists' phách percussion.
    The number of ca tru melodies is 56, they are called Vietnamese: thể cách.[10]
    New observers to the art often comment on how strikingly odd the vocal technique sounds, but it is the vocals themselves that are essential in defining ca trù.

    Ca trù inns

    Ca trù literally translates as "tally card songs." This refers to the bamboo cards men bought when they visited ca trù inns, where this music was most often performed in the past. Men would give the bamboo cards they purchased to the woman of choice after her performance, and she would collect money based upon how many cards she was given.
    Scholar-bureaucrats and other members of the elite most enjoyed this genre. They often visited these inns to be entertained by the talented young women, who did not only sing, but with their knowledge of poetry and the arts could strike up a witty conversation along with serving food and drink.
    Besides these inns, ca trù was also commonly performed in communal houses or private homes.[7]

    In modern Vietnamese media

    Along with efforts made to preserve the genre, ca trù has been appearing in much of recent Vietnamese pop culture, including movies such as the award-winning film Mê thảo: thời vắng bóng, or its mention during popular entertainment shows such as Paris by Night. It has even been used in Vietnamese pop music, where many artists have attempted to successfully synthesize ca trù (or aspects of it) with pop or other modern genres.
    Bich Cau Dao Quan Club, founded in 1992, now has 90 members, 30 or 40 of whom gather on a given Saturday evenings. The oldest artist is 88 years old. According to the director, 50-year-old Bach Van, who trains younger singers and introduces them to classical songs: "It is very difficult to find young singers who wish to learn this art form. It is also difficult to find good teachers who can convey both the enthusiasm and the technical knowledge."[citation needed] Bach herself studied ca trù for ten years before the Hanoi Office of Culture appointed her the club's director.

    Notable performers

    Notable contemporary ca trù performers include
    • Ca tru hat khuon Pho Thi Kim Duc : NSUT Pho Thi Kim Duc (voice, born 1931), NSND Nguyen Xuan Hoach ("dan day"), Dam Quang Minh (drum). This team is the best performers in Vietnam and over the world. NSUT Pho Thi Kim Duc did introduced "ca tru" to world friends in nearly 30 countries all over the world. Her voice is considered to be the best voice nowaday.
    • Ca tru Thang Long: Nguyễn Thị Chúc (voice; born 1930), Nguyễn Phú Đẹ (đàn đáy, born 1923), Phạm Thị Huệ (the first female ca trù singer in Vietnam who learned to play the đàn đáy) and her daughter Nguyễn Huệ Phương (voice, born 1999), her students Nguyễn Thu Thủy (đàn đáy, born 1986) and Nguyễn Thùy Chi (voice, born 1992)
    • Ca tru Thai Ha: Nguyễn Văn Mùi (the director , based in Hanoi; drum) and his daughters Nguyễn Thúy Hòa (voice; born 1974), Nguyễn Thị Hà Vy (voice), and his sons Nguyễn Mạnh Tiến (đàn đáy; born 1970) and Nguyễn Manh Khuê (đàn đáy; born 1962). Nguyễn Văn Mùi's granddaughters, Nguyễn Kieu Anh and Nguyễn Thu Thao (both born 1994) are also ca trù vocalists. Nguyễn Thúy Hòa was taught by Ms. Quach Thi Ho, a renowned performer who began recording in 1955.

    Galleries

    • Ca trù 1.jpg
    • Ca trù 2.jpg
    • Ca trù 4.jpg
    • Tranh vẽ Cô đầu (kỹ nữ) thời Pháp thuộc.jpg

    Bibliography

    • Norton, Barley. "Singing the Past: Vietnamese Ca Tru, Memory, and Mode." Asian Music, vol. 36, no. 2 (Summer/Fall 2005).

    Films

    • Mê Thảo, Thời Vang Bóng. Directed by Việt Linh.

    See also

    Notes


  2. Norton, Barley. Ca Trù: A Vietnamese Chamber Music Genre. International Association for Research in Vietnamese Music.

  4. "Ca trù singing", UNESCO.org. Archived March 23, 2012, at the Wayback Machine

  6. CHANTER LE CA TRÙ AU VILLAGE DE LÕ KHÊ (NORD DU VIET-NAM) Une fête rituelle au temple communal et à la maison des patrons de métier du ca trù A ANISENSEL - Péninsule, 2009 - cat.inist.fr Résumé/Abstract L'article porte sur la tradition musicale du ca trù (chant à tablettes) telle qu'elle s' est perpétuée dans un village aux portes de Hanoï, le village de Lô Khê. Le ca trù y revêt une fonction rituelle inscrite au coeur même de la tablette «trù» par laquelle les ...

  8. "Bao HA NOI MOI dien tu", HanoiMoi.com. (in Vietnamese)

  10. "Ca tru", CaTruThangLong.com. Archived August 20, 2011, at the Wayback Machine

  12. Возвращение музыкального кружка Archived 2011-08-29 at the Wayback Machine. ‹See Tfd›(in Russian)

  14. "The Exotic Sounds of Ca Tru", ThingsAsian.com.

  16. "Quach Thi Ho — The woman faithful to Ca tru", CaTruThangLong.com. Archived August 10, 2011, at the Wayback Machine

  18. "National fest honours art of ca tru singing", VietnamNews.VNAgency.com.vn.

  20. "Ca tru — Vietnamese cultural heritage". Ca tru Thang Long Club. 2008. Archived from the original on August 20, 2011.

    22. Terry E. Miller, Sean Williams (2008). The Garland handbook of Southeast Asian music, p.262. ISBN 9780415960755. "This lute is


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